It’s two years and seven months since I
read Mantel’s first installment of her Thomas Cromwell saga, and unlike my more
diligent mother, I did not re-read ‘Wolf Hall’ in preparation for the
second. And thankfully a re-read
wasn’t necessary as ‘Bring Up the Bodies’ managed to be its own entity with
timely reminders of pertinent facts from the past occurring without being
intrusive.
If you care to look back at my blog post
regarding ‘Wolf Hall’ you can remind yourself of my fairly skeptical view of
historical fiction, but how Mantel’s novel did leave me wanting to know what
happened next. In the same way that the first book chronicled the demise and
rise of Henry VIII’s first and second wives respectively, the second does the
same for the changeover from second to third. The wheeling and dealing of Cromwell comes into play again
and the intrigue involved to carry out the King’s wishes is breath taking and
rather disturbing! The way in
which the women are involved in sexual politics and pushed like chess pieces at
the whim of the rich, powerful and well-connected, is expertly depicted once
more by Mantel.
I found this novel particularly poignant
because I was reading it around the time of the birth of the Prince of
Cambridge, the third in line to the throne of the United Kingdom. The modern contrasted rather
dramatically in so many ways to similar events in the Tudor court, especially
the difference in infant mortality rates now so that there appeared no real
question of whether the baby would survive. Moreover, the sex of the baby didn’t matter (although
I suppose the legislation regarding equal succession has only just been
agreed!), unless you had a bet placed either way, whereas the matter of a male
heir was crucial and a component of King Henry’s desire for a new wife.
Returning to Mantel’s version of events, I
can’t quite summon up the same hyperbole that adorns the cover and several
pages within, however, I would say that her second novel on this subject is
more engaging that the first. It
has more pace and purpose, making it easier to read, although in compromising
its style for readability, it lost much of its immediacy. I guess it’s difficult to do it all and
please everyone, although from the number of awards and the amount of praise
heaped on Mantel, she has done a considerable job in succeeding in the eyes of
many. We await the third
installment and wonder whether it too will achieve the accolade of Booker
winner…
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